What Christian Fiction Can Learn From Secular Fiction

Have you ever read a book of Christian fiction and thought that it just did not measure up to your favorite fiction authors? I have as well. When I contemplated the reason for this difference, I came to the following advice for Christian fiction writers.

Characters need depth

When I mention depth, I mean for writers to move beyond the stereotypes. Certainly we tend to think in stereotypical ways and may even plot our characters to fulfill certain roles, but real life is not very cut and dry. Good people do bad things. Look at any Bible story and see this truth. Even saints make bad choices. The characters in your novel need similar complexity. Resist the temptation to have every Christian fiction piece have an overly simplistic Jesus-type. Look at the complexity of Jesus’ words in John 17 to see genuine personal struggle.

The story has to be strong

And it should be from the beginning chapter. The best stories are ones that grab you from the first chapter and never let go. There is a reason why I picked up John Grisham’s The Firm in high school and could not put it down until I read the entire novel. Books with a good first chapter still need to build suspense and have realistic plot points that move along the action. Contrivances just don’t work.

Go with real-life dilemmas

Readers can identify with issues related to love, friendship, work, personal mistakes, and everyday choices. Everyday choices may lead to unexpected places, but you want the reader to identify with the character and possibly being in his place, identifying with his choices.

Choices have to seem logical

If the decisions of a main character start to appear illogical and don’t make sense to the reader, you will quickly lose the reader. This is especially true when illogical decisions mount in a primary character. Real life dilemmas and real life decisions make the story believable.

Give depth and complexity even to the “bad guys”

As mentioned before, people who make bad choices aren’t just bad. They make bad choices for a variety of reasons connected to their past and current situation. Similar to the good character discussion above, resist the urge to have overly simplistic characters portrayed as pure evil. What are the reasons that bring them to the place they are in the novel? Readers want to know how a person could be like that or why they make those choices. Equally, people who do horrendous things also can be redeemed and make unbelievable turnarounds. Look at the Apostle Paul. His move from persecutor and accessory to murder soon turned to his becoming the greatest missionary of the Christian message of hope.

Make us want to come back for more!

Your ending should be satisfying in a way that readers want more. The best books have endings that leave you feeling that way but without an obvious to be continued ending. You don’t want to assume there will be an audience for the second book you have in mind just because you wrote your first novel to have one.

 

Transforming Writing Trials Into Success

In seminary, I took a course that focused on the great devotional writings of Christian history. Some were from giants of Christian theology, such as Augustine. Others were written by people that I had never heard of before, nonetheless had never read. Having been raised in a Protestant tradition in the southern USA, Saint John of the Cross’ The Dark Night of the Soul was one such work. So I was surprised to see this helpful metaphor of transformation through the midst of trial. Here are some thoughts that can help you get through writers block and other dark times of your writing.

View tough times as a blessing.

Are you experiencing writers’ block? Are you just not motivated? Are you running up against a deadline? Sometimes those tough moments mean a breakthrough is just around the corner. But the point of going through difficulty may mean that you find a new thought, process, or discipline that you will develop in your writing or personal life. This change in perspective can help you embrace the hard times and look expectantly to how it will change you for the better.

Tough times take you back to the basics.

St. John of the Cross wrote of the basics of Christian disciplines, such as sacraments, daily Bible study, and prayer. For a writer, this is putting in the time to write daily. Make time on the calendar. Put it in your daily schedule. Write something, even if painful, until the words flow again. And perhaps you will find a brand new discipline that will inspire you. Start reading again. Read in your field but in other fields too. Allow yourself to read something purely fun and see if that inspires you toward writing again in your areas of study.

Trials bring purification.

Hopefully coming out the other side of a dark night means that your writing is more focused, more real, and more relevant to your reader. Especially if you are writing to inspire or encourage through sharing your personal story, the trials of your writing process will help your readers identify with you and learn from your experience.

Live with hope and expectancy in difficult times.

Christians live with the ultimate promise of being brought through the trial because of one’s remembering the person and work of Christ. For the writer, there is hope in the experience of having pulled through a time of writers block or low point in the writing process before. There is knowledge that the season of difficulty will pass and the newness of creativity will return. Living with that expectancy that better days are ahead will help you reach those better days faster.

Seek a relationship with those who are willing to mentor and guide you.

Jesus is the ultimate example for the Christian. Because of Jesus’ pain and suffering, he is called brother, a companion in life’s journey. There is no greater help for the writer perhaps than to find the companionship of another writer for brotherhood, insight, and encouragement during a dark time. Someone who has been there before can help in ways that no well meaning other could help. Plus, remember to help others in their time of need when you are on the other side!

 

Top 7 Punctuation Mistakes

Ask any editor. Punctuation mistakes hurt your writing. Take the time to get it right so that your writing is better received.

  1. How to use an apostrophe. This one was tough for me as a grade school student, so I know why people have trouble today. The issue revolves around the entire question of whether to use ‘s or s’ in cases of possessives. I used to draw the apostrophe almost on top of the s if I wasn’t sure, hoping the teacher would give me the benefit of the doubt since I was a well-behaved student! A singular possessive needs an ‘s and plural possessives need an s’. You may have to look up other uses of apostrophes to ensure proper use, but do not to leave it to chance!
  2. Overuse of semicolons. Resist the urge to keep combining sentences with a semicolon. If sentences are short and easily combined, it is OK to use a semicolon. If you are using a semicolon often to combine long, complex sentences, the reader is going to get bogged down in your reading. The semicolon is for occasional use only. Save your semicolons when you really need them to separate items in a series that use commas and can be confusing without the use of semicolons.
  3. Comma splices. Don’t force two sentences together with a comma in-between either. Make a concerted effort to read for a complete thought. If you pause to start the next thought, then you need to use a period.
  4. Missing the ? I don’t know why this is an easy mistake to miss, other than their being so many more periods that end sentences than there are question marks. But always look for your end punctuation. Questions deserve questions marks!
  5. Quotation marks and punctuation. This can be a difficult rule. A period or comma always goes inside the end quotation mark. Sometimes a question or exclamation mark can go outside the ending quotation–if the entire sentence asks a question or deserves the exclamation–not just the part in quotation. If only the quote needs a question or exclamation mark, then move the punctuation inside the end quotation mark.
  6. Dash or hyphen? A dash is not the same as a hyphen. A hyphen is used to break words at the end of a line or in compound words such as great-grandmother. There are two kinds of dashes. An en dash (about the length of the letter n) is used for age and date ranges. An em dash (about the length of a letter m) is used to emphasize a phrase that is set apart. Most word processing programs convert two hyphens to an em dash. Check with your word processing program to be certain what keystrokes to use.
  7. Its or It’s – This one really has a simple fix, so it amazes me how often people miss it. If the word is a contraction for “it is,” meaning you can read “it is” and the phrase makes sense in the sentence, then use it’s. If “it is” does not work in the sentence, use its.

 

If you need help, find a good editing service like Edit911.

 

 

 

Tell Me A Story

Tell Me A Story:  Lessons From Parker Palmer That Can Transform Your Writing

I was still in graduate school when I attended my first American Academy of Religion (AAR) conference. I was not yet at the point of putting together a syllabus for any course but was still interested in attending sessions related to teaching religion. One course in particular introduced me to Parker Palmer and his philosophy of teaching. I still think of Parker Palmer every semester as I put together a syllabus and have used his teaching philosophy in every course I have taught. Palmer’s influence has several applications to writing as well.

 The teacher (or writer) is the lesson.

If you want students or your readers to fully invest themselves in you, you must be transparent with them. Honesty is the primary factor in this type of openness. No one expects you to be flawless. They want to see your humanity as well. Share your life through your writing, and others will be more likely to connect with you, through both low points and successes.

The teacher (or writer) is on a journey with the student.

The goal is not for the teacher to talk nonstop, communicating information one way, filling the heads of the listener or reader. But how can a writer be on a journey with the readers? It is a matter of perspective! Write to share your vision, story, and passion and invite the reader to join in your journey together. This practice may be more prevalent in religion, where one investigates matters of faith and belief and calls out others to commit to faith. But no matter your subject, you are asking others to join with you in examining topics you care about.

The model for teaching is a conversation.

The same is true for writing. Open conversation with your reader. It is OK to challenge, confront, and even bring discomfort, but it is done in a way where everyone has a voice and seat at the table. Welcome feedback. Welcome questions. Welcome doubt and disbelief. Be open to new ideas and alternative theories. Teachers and writers who do so will build an audience and following much quicker than those who are distant and uninviting.

Provide a safe environment for an equal seat at the table.

The teacher sets the stage in his classroom, laying ground rules for conversation, confidentiality, and respect. A writer does the same thing through even through his word choice. Derogatory references and outdated euphemisms can kill a reader’s trust and willingness to invest in you or your writing.

Personal experiences provide the best entryway to conversation.

I borrowed a model from the professor I heard that day at the AAR. The first assignment I do every semester is to ask all my students to write a spiritual autobiography or about a key experience that shapes their spirituality. This assignment shows how each of us have opinions and thoughts about ultimate questions, even if we don’t have specific beliefs, and provides a current assessment. Teachers and writers should open themselves to sharing this same information in order to have students and readers take risks in sharing themselves. The result should be integral both to winning trust and taking the journey together through the pages of your book.

 

 

How to Write Concisely

Working on magazines for several years now, the most common complaint I hear from new writers is how short magazine articles are. Some actually complain at the word count, as if we might suddenly double it just for them. The truth is that it is much harder to write more concisely and takes skill to do so.  If you don’t have a good editing service to help out, here are a few tips you can use for writing concisely. They’ll help no matter if you are working on a magazine article or dissertation.

Identify the major components of your work. 

Too often people just start writing without taking stock of what direction to take. For magazine articles, this is usually not only the main body of the article but also sidebars and pull quotes. Other types of writing have similar extras. Your dissertation has footnotes, bibliography, and appendices. Pay attention to details such as source materials along the way. If you focus on these things from the beginning, you will better be able to handle your task without having to go back later.

Outline your project. 

Your outline is the skeleton of your writing. It holds it together and supports all the details.  For a magazine, it is your title, deck, subheads, and sidebar titles. For your dissertation, subheadings are not that different from the subheads in a magazine article, just multiplied in length, number, and level of complexity.

Cut out unnecessary details. 

For magazine articles you may have to cut extra illustrations beyond what is necessary to communicate your point. For any writing, there are extra idioms and phrases that become colloquial habits but are not necessary. Any illustrations that are perceived as extra will be cut first by an editor, so you might as well edit them out early in your writing process.

Limit the scope.

When you write for a magazine, you certainly can’t expect the article to be an exhaustive coverage of a topic. The same is true even for a dissertation. For dissertations, there will be extra research that is good but might be outside the scope of your current project. Knowing how to bracket writing scope and even save extras for later is a skill any writer can use.

Keep the main thing the main thing. 

Establish your thesis statement and filter every detail, every argument, and every illustration through the thesis of your paper.  It will help you stay on track, keeping a check and balance on the things of lesser importance. If need be, post your thesis statement somewhere prominent so that it is a visual reminder to you to write accordingly.

Focus on the audience. 

What you write is largely dependent upon for whom you are writing. Don’t miss this important detail to help your illustrations and explanation hit right on target.

Watch the grammar. 

Sometimes writers are too wordy because they use words that don’t really matter. Watch words that repeat and trim out the unnecessary ones.  Some common problems are words like that and very. Read your work aloud and you will find extra verbiage you can cut and make your writing more concise. That’s our job here. So if you feel you do need help, consider using our editing service to give your writing that extra assist