Finally another movie about authors – a topic that not enough authors write about and not enough movies are made about! We think authors are pretty fascinating people!
Here’s the movie synopsis: When a dysfunctional group of unpublished writers accept Hannah into their fold, the last thing they expect is her overnight success. Can these lovable misfits achieve their artistic dreams and avoid killing one another in the process? Starring Kaley Cuoco-Sweeting, Chris Klein, Dennis Farina, Dylan Walsh, Jonathan Bennett, and Teri Polo.
We think it looks really fun and cute — what do you think? Leave your opinions in the comments!
1. Protect your idea with a patent/copyright/trademark. Depending on your business venture, you will need to take precautionary steps to protect your idea. This may involve filing a patent, copyright, or trademark. In any of these cases, it is important that you develop quality documents, easy to read figures, tables, and graphics so that the reviewer can determine the merit of your work. Venture capital investors may want to review these documents and along with your business plan, this might be the first impression of you and your capabilities. Please remember that these protections do not keep someone else from trying to develop your idea, but they do give you the right to fight it out in court.
2. Write an excellent business plan. Your business plan is a dynamic document. One investor group may need a particular format while another group may ask you to present the plan in their preferred review layout. The business plan needs to state who you are, what you are doing, why you need investment, the scope of the market (what is the valuation of the market), how you intend to proceed with the investment, and what the return on investment will be should someone invest. Most importantly, the business plan needs to be grammatically correct and have no spelling errors.
3. Have your business plan vetted and reviewed by experts in the field. You need to take the time to have someone in your field read your business plan. Possibly a trusted colleague or a subject matter expert/reviewer/editor can help you with noticing the little things that are missing. These people can also help find areas of weakness in your business plan. With investors, you often have one opportunity to impress. Make sure that you put your best and most developed idea forward. In the business plan, it is important to point out how much you are investing of your own money into the idea.
4. Valuation is important. Spend time thinking about the valuation and show that you did some real work on the projections. Find a banker or investor who might give you some time and help you develop the corporate valuation.
5. Develop a slide show. To go along with your business plan you will need a slide deck that puts your business plan into pictures, graphs, text, and images that people can review. Many people are visual. Reading a long business plan may not be the first choice some individuals. Give them a slide show that they can scroll through and begin to “see” your idea.
6. Have your marketing plan developed and ready to show. The success of many businesses comes with the marketing plan. It may seem like having your marketing plan all developed is not going to help you gain investment, but the truth is that investors will be far more impressed if you can show them the details of how you plan to make money on your idea and their investment. Consider having flyers, a short video, and other items that will help you market to your target demographic. It is important to note that by developing your marketing, you will be able to fine-tune the demographic most likely to purchase your product or idea. Make sure to have all the documents, videos, and flyers proofread by multiple people. Nothing ruins a good marketing plan more than having bad grammar, typos, and spelling errors.
7. Invest your own money in the venture. Invest at least a few thousand dollars in your new business. If you are not willing to invest, why will someone else want to loan you money? The capital investment you put in represents a material percentage of your net wealth and shows that you are dedicated to the success of the project. Many entrepreneurs tell everyone about the sweat equity they are putting into the business. The truth is that everyone starting a new business is putting this type of effort in and potential investors expect this effort.
8. Have a working prototype available. Investors do not want to take on product-development risk. If your idea is fabulous, they may take this risk but they will likely want a larger portion of your company. Have a working prototype available for review. A working prototype shows the investor that the development and proof-of-concept risk is mitigated.
9. Acquire Investment first from “friends and family.” Many investors want to see that you have raised money from friends and family because it validates that people who know you think you are capable of making this idea come to life. How much should you seek from friends and family? This depends on your idea but $25,000 to $50,000 is a good sign that you are seen as capable and competent by family and friends.
10. Generate revenue. This is a difficult task but very important. The company does not need to be making millions in the first month but a small amount of revenue will show that you have a good marketing plan and your idea is moving forward.
On a final note, raising capital is challenging and time consuming. If you take these ten steps, you will be better prepared to be a success in the capital investment round of funding.
10. Peter Benchley’s Jaws Jaws (1975) became the preeminent summer blockbuster movie and the highest grossing movie ever at the time. Benchley based his book on some real life events and people that added to the intrigue, but Spielberg’s movie scared people out of the water and back into the theater to see it a second time. My parents took me to see this movie when I was 5 (no kidding), never dreaming the shock value involved even for adults.
9. Stephen King’s Rita Hayworth and Shawshank Redemption The Shawshank Redemption (1994) is a marvelous adaptation of the work by Stephen King. Andy Dufresne is a character you root for and are not disappointed with the movie’s depiction. Dufresne triumphs over surprising corruption and cruelty that is shocking. But the payoff is huge!
8. Cormac McCarthy’s No Country for Old Men No Country for Old Men (2007) showcases the Coen Brothers’ quirky, magical touch, lifting this adaptation to the big screen. The bad guy’s musings reminded me of the first time I read Flannery O’Connor’s A Good Man Is Hard to Find, showing depth and philosophical musings juxtaposed with cruel violence.
7. Chuck Palahniuk’s Fight Club Fight Club (1999) has a tremendous twist preserved in the movie and captures the frustration of bureaucratic, corporate America. Most of us take out our frustrations on pints of Ben & Jerry’s best rather than each other thankfully. Fight Club actually leaves you thinking long after you watch its conclusion.
6. JRR Tolkien’s The Lord of the Rings The Lord of the Rings (2001-2003) was an adaption of one of the most beloved reads of my childhood. I was so pleased when I saw the film adaptation that it made me want to purchase the set for safekeeping. I was a bit surprised at the long shots of the evil minions building their army — not attractive folks. But I would say the worst part was the waiting inbetween releases of the three movies.
5.Charles Portis’ True Grit
True Grit (2010) is one of those movies that has it all: drama, revenge, underdogs, kid heroes, and cowboys. Jeff Bridges was amazing. My wife was so drawn in by the story and grit of the girl actress and didn’t mind some of the shocking violence. This tremendously successful western thrilled audiences even without John Wayne.
4. Thomas Harris’ The Silence of the Lambs The Silence of the Lambs (1991) is truly scary to read and imagine in your own mind. Surely no movie could reach those levels of intensity? Anthony Hopkins is Mr. Intensity in this film and impacts audiences’ dreams weeks afterward with his portrayal of Lechter.
3. Michael Crichton’s Jurassic Park Jurassic Park (1993) is another Spielberg blockbuster that both delighted and thrilled fans while avoiding too much of the lecturing on chaos theory. I still think of that cup of water, resonating with the footsteps of the approaching Tyrannosaurus Rex. But I don’t think I will forget the poor fellow meeting T-Rex — and his demise — in the outhouse.
2. Mario Puzo’s The Godfather The Godfather (1972) is a brilliant masterpiece directed by Francis Ford Coppola, complete with violent moments that only a portrayal of the mob could allow. It replaced Gone with the Wind as the highest grossing movie when it premiered. Puzo assisted with the screenplay, no doubt lifting its production to the heights it achieved. And who can forget Marlon Brando? If you do, you may no longer be part of the family.
1. Margaret Mitchell’s Gone with the Wind Gone with the Wind (1939) is the number one movie of all time on the charts for prices adjusted for inflation. The movie was epic, sweeping, moving, and star studded. It premiered in a day when the running time was not the obstacle it is today. It was honored as the first film to ever receive 5 Academy Awards. I can still watch this movie and be enthralled with it for hours. But the shock of Rhett Butler’s final words lives on in movie history, and it was truly shocking to the audience of the day.
If you write anything at all and you haven’t heard of or followed Library Lady Jane (aka, Jane the Librarian), start getting to know and follow her now. She’s a guru of grammar and a darn nice lady too! We’ve admired her work for quite some time, so we decided to connect with her and see if she’d grant us an interview. To our great delight, she did!
Edit911: Where did you get your love of grammar?
Jane: I got my love of language from my Mom, and from constant reading, another love that was bequeathed by her and pretty much every member of my extended family. Mom demanded perfect grammar and regular precision of vocabulary, and I loved being able to get it right. When she saw that, she had me read books on language really early; I remember reading The Mother Tongue: English and how it got that way, by Bill Bryson, some time around fifth grade.
Edit911: Why do you think so many people have so much trouble with grammar?
Jane: People have difficulty with grammar because they hear it spoken and see it written imperfectly far too often, and they don’t have good models to imitate. Grammar is taught in very dry ways, and grammar in school would never have interested me in the slightest if it hadn’t been a key to decoding formulas I already knew from reading great books from a young age.
Edit911: What advice would you give people who want to improve their grammar?
Jane: If you want to improve your grammar, read your own writing aloud. Yes, it can be painful, but you will surprise yourself with what you catch if you add the sound of your own voice to the process of revision. Also, read more. Read good, well-written, entertaining books when you have the chance.
Edit911:Do you have a favorite grammar book and grammar website?
Jane: My favorite grammar book is The Elements of Style, affectionately referred to as “the Strunk and White.” It’s the only physical book I find myself reaching for for reference purposes on a semi-regular basis. I don’t have a particular favorite website, but I find myself agreeing with Grammar Girl a great deal of the time. I very rarely use only one resource for grammar or language questions, though, because when such questions arise they are often points that language experts have some disagreement on, or they’re points of definition of use and grammar terminology, so it is necessary to compare several resources. Google is my best friend for that kind of inquiry; it definitely helps to have mastered some advanced searching techniques.
Edit911: What else would you like our clients and visitors to know about you and your work?
Jane: I’m just a librarian with a passion for language! I got started working with Matthew Inman (The Oatmeal) because I sent him a fan email about four years ago and offered to help him with proofreading, and that led to the creation of the semicolon comic (“How to Use a Semicolon“). We’ve never met in real life. He sends me comics, and I proofread them to the best of my ability and aim for a fast turnaround, because he often wants to publish as quickly as possible. Sometimes we collaborate a bit more closely on the text, especially when he is focusing on points of grammar, but we’re not perfect. I’ve overlooked some mistakes that make me cringe now, and wow, the internet is an unforgiving audience for that kind of thing.
Jane has some additional advice: if you want to improve your own writing, or if you have a document that needs another set of eyes, I would encourage you to seek out resources that you might have at your disposal that you may not have considered. Are you in college or graduate school? Utilize the writing center on campus. I worked at Auburn University’s writing center for almost three years while I was in school there. Out of school? Try the public library. As a public reference librarian, I helped people with papers, resumes, even contracts occasionally, for free.
And, if you have a longer document that absolutely has to be right, it is worth it to pay for professional editing and proofreading services. I have seen important documents that were poorly edited because someone didn’t want to pay an experienced professional for their time and expertise, and that only reflects poorly on you, the initial author. Don’t skimp for this kind of service!
Thanks for your wise words and friendly exchange, Jane! You can follow Jane on Twitter @libraryladyjane
Do you like novels and golf? On the Hole is an award-winning novel about golf—and so much more—by Jeff Bacot. On the Hole won the prestigious 2013 EVVY Merit Award for fiction in May, and just won the 2013 GOLD MEDAL Award for sports fiction, with a 5 star rating from the judges of the “Readers Favorite” group.
Regarding Edit911’s editing, Jeff has this to say: “Winning these awards was in no small part because of the brilliant editing help I had from you, Dr. Robert, and Dr. Dan. Edit911 was instrumental in helping me get my novel done. In fact, I literally couldn’t have ended up with my novel nearly as well-written as it is without having had your fantastic editing suggestions and guidance.”
On the Hole is a terrific story! Thanks for entrusting it to us, Jeff!
To learn more about Jeff and his award winning novel check out these resources:
Dr. Paul Hernandez is one of the country’s greatest, most respected, dedicated and inspiring college professors. I’m [Dr. Marc D. Baldwin, Owner of Edit911] truly honored to be working with him to edit and polish what will be a bestselling, highly influential book The Pedagogy of Real Talk. He has attained such stature that he won the 2012 NEA Reg Weaver Human & Civil Rights Award.
About his experience working with the Edit911 Staff and me, Paul says: “I am so happy with your editing services, Marc, as you a true professional. I look forward to a long term working relationship with your company. You are a big part of the success of the book and I just want you to know I will sing your praises when it is all said and done to everyone I know. Your support is a wonderful thing, my friend. Of course, if there is anything I can ever be of service for please do not hesitate to ask.”
Paul Hernandez is not your typical college professor. See: Tattoos. Hear: His story. Hernandez, an assistant professor at Central Michigan University, grew up in poverty in Los Angeles – real poverty, the eating out of garbage cans and sleeping in cars kind of poverty.
“I was born and raised in deep poverty,” he says, by a single mother who came to the United States from Central America and struggled to earn more than $5,000 a year.
School should have been a haven. But it wasn’t. “School was, unfortunately, more of a punishment, in terms of what it felt like and was like,” Hernandez recalls. For one thing, it’s hard to focus when you’re hungry. For another, far too many of his teachers looked past Hernandez, or through him. Maybe he had “potential,” as some said, but most never tried to tap it.
“In eighth grade, I remember my grades: F, F, F, F, F – with 60 absences. I pretty much just stopped going to school…and no, nobody came looking for me,” he said. “Being a deviant kid, being involved in so many things, being in trouble all the time, it just didn’t allow for success in school.”
For most kids, the story ends there: jail or death.
But Hernandez recalls a dawning realization as a teenager that brought him, stumbling over his words, to the registrar’s desk at the local community college. It was this: He realized that everybody who held power had an education. “Walking in there, it was scary. And it was humiliating – because the questions I asked were so preposterous to them. They couldn’t help but chuckle when I said, ‘Hey, I want to go here.’”
But he persevered, hiding his textbooks from his gang family. And eventually, with the help of a California State University, Los Angeles mentor and the hope that he would eventually make a difference in the lives of kids just like him, Hernandez went on to earn a Ph.D. in sociology from Michigan State University, specializing in race in education.
Along the way, as part of his dissertation, Hernandez developed “Real Talk “ an alternative pedagogy that any teacher can use to connect with their students. “You know students don’t think of teachers as people like them,” says Hernandez – but when they do, when they make that personal connection, it lays the foundation for connections to the curriculum.
Hernandez, who is also a contributor to NEA’s journal Thought and Action, also has modeled a “College 101” program that helps at-risk high school sophomores to see themselves as college students. You can read more about that program here: http://www.nea.org/home/49629.htm
It’s important to note that Guy Kawasaki is one of the world’s leading authorities of not just self-publishing, but Apple, Google, marketing, and entrepreneurship. He’s written several other bestsellers, also definitive works in their subjects. We encourage you to get to know him and his excellent books, blogs, and website: http://www.guykawasaki.com.
We are truly flattered and grateful that of all the editing services in the world, Mr. Kawasaki and Mr. Welch chose only Edit911 to mention in their landmark book, which you can purchase by clicking the book cover below:
Denise Messenger is a cancer survivor. Her book “Got Cancer? Now What?” has won three prestigious awards:
eLit Award of 2012 Gold Medal under the category of Health/Medicine/Nutrition for excellence in digital publishing
The International Book Award winner in the category of Health-Cancer
The Indie Excellence Award as a finalist under the Cancer category
Edit911 is proud and humbled to report that Denise “attributes the success of Got Cancer? Now What? to the excellent editing produced by the Edit911 team. The big challenge was finding an editor who could not only edit the book, but who had medical terminology and experience with scientific research and technical jargon. Blending these together and keeping the integrity of the book and research took dedication and a special talent. Good editing involves keeping the author’s intent in balance with the overall objective of the book. Edit911 succeeded with this.”
Denise attended UC Irvine where she received her Certificate in Human Resource Management and held the position of Vice President of Human Resources with a major firm in Orange County, California. While attending Orange Coast College toward a BA in Communications she received a diagnosis of both breast cancer and chronic lymphocytic leukemia (CLL).
She transitioned into working in the medical field for a few years to be closer to physicians and to learn more about therapies. She was determined to find a gentle, more nontoxic and immune supporting way to fight her cancer. As a result she was cured of her breast cancer.
After six years of fighting the CLL, reading medical journals, research studies, articles, books and consulting with researchers and physicians worldwide she ultimately found a cure as a stage-four patient for the second cancer, CLL.
During these years she found her passion was writing and helping other cancer patients by identifying and fulfilling their needs—whether it was a hotel room for the night or a nutritional drink to regain some strength. One day she decided to extend her meaningful work into writing a book to help others.
In this easy-to-read guide, Denise Messenger describes precisely what to do after the devastation of a cancer diagnosis by covering both the scientific and personal aspects of cancer. She illustrates how being positive and prepared can have an incredibly beneficial effect on cancer outcomes. Whether you have been diagnosed with cancer or know someone who has, this book will help you decide how to select doctors and treatments, as well as how to take care of your body with both traditional and alternative therapies.
Do you want to pitch strong, timely news stories to papers and magazines? Looking for ways to sharpen your accuracy, credibility, and professionalism? Here are a few pointers to give you an idea of what publishers are looking for and what editors love to see:
Timeliness: In the print media, particularly newspapers, most of news reaches readers several days or even weeks after it’s written. This means it’s important to emphasize the elements of your story that will still be current. Instead of leading with: “On December 5, Ourtown Ministries held a conference on homelessness,” begin: “Homelessness is an epidemic in Ourtown,” says the director of a local ministry that hosted conference on homelessness in December.”
Lead: The lead is the heart of the story. It should grab the reader’s attention, be in the present tense, and sum up the story in 30 words or less. Writing the lead is half the job. A hard lead contains all the facts. If you use a more oblique approach to catch attention, (known as a soft lead) the key information should follow immediately.
Hard lead: “A family in Ottawa’s Westboro neighborhood fled their house in a panic early Monday morning when the roof started to collapse under all the snow that fell over the weekend.”
Soft lead: “The little town of Bethlehem may be overshadowed by a wall 24 feet high and crowned with razor-wire, but it’s home to a small beacon for peace. Wi’am is a grassroots conflict resolution centre in the Bethlehem devoted to building peace in the Middle East using principles of traditional Arab peacemaking.”
Direct quotes: The reader should have encountered a direct quote by the second or third paragraph. Quotes should be colorful descriptions, convictions, or gut responses rather than plain factual information.
Weak quote: “Last year 1,000 cars were stolen in this city,” said the mayor.
Strong quote: “I’m horrified at the way car thieves in our city are thumbing their noses at the law,” said the mayor.
Active verbs: Use every opportunity to turn passive constructions (A plan for a new shopping mall is being discussed by city council) into an active construction (City council is discussing plans for a new shopping mall.) Subject – verb – object. It’s snappier, and more effective newswriting.
Shorter is better: I’ve found that my stories almost invariably are stronger and tighter after I trim them down. When I’ve edited a story, it almost always ends up shorter. If you’re over your assigned word count, go over your story and see where you can tighten it up without losing any content.
Always use “said”: When quoting someone avoid using charged words like “admitted,” “claimed,” or “suggested.” Stick to “said” or “says.”
Get both sides of the story: It does not matter whether your story is about abortion, same-sex marriage, freedom of expression or whether the Holocaust really happened or not, there are always two sides to present. As a reporter, it’s your job to find intelligent voices who speak for both sides. If only those people who already agree with our position want to read our paper, we won’t have much of an impact in the world.
Sources: A news story is not well researched unless you’ve interviewed at least three people. For example, if you’re writing a profile, interview the person’s mother, colleague or employer.
Home based careers have a lot to offer those who want more freedom in their daily lives. This independence presents its own problems, but the challenges can be met by following a few simple guidelines for effective time management while working from home.
As I write this article, it’s one o’clock Saturday morning. The deadline for submission is hours away and now I’m wishing that I had a regular nine to five job in the city. I’d be in bed right now. I shouldn’t have to spend my weekends this way, but this is all my fault. I chose to work from home under my own schedule.
I take heart by the hope that if the weather is good on Monday morning, while everyone else is commuting, I can jump on the bike and ride to the beach. Later, I can enjoy a leisurely coffee at the bistro mulling over the direction of my next article. When and how I work is entirely up to me.
Today’s technology makes home-based work an attractive possibility for many. It is efficient, flexible, and fulfilling. But it also has its pitfalls, such as loneliness, tunnel vision, lack of accountability and domestic distractions. Perhaps the biggest challenge to working from home is time management, whether you tend to be lazy or are inclined to overwork. Here are some suggestions to make the most of your time in a home office.
Set Family Boundaries
Being close at hand to family members while at work means that you are making yourself available to them at a moment’s notice should they want your attention. It also makes them accessible to you for even the slightest reason (or excuse!). Presumably this is one reason why you chose to work at home, but it can become your worst time thief unless everyone has a clear understanding of what issues merit intentional interruption.
To guard against unintentional interruptions or distractions, the “open space concept” is not a good idea. Unless you live alone, you must have a separate work space that can be dedicated exclusively to the job while you are “on duty.” Make it clear that you are not being rude if the door is closed; you simply have left for work.
Log Your Time
For the workaholic, a home based career can be the fastest route to burnout. Extending your work hours is as easy as walking a few steps down the hall. Checking email before your morning shower, reading a report over lunch, making a phone call during a commercial break on TV, or scheduling tomorrow’s tasks before bed – all of these add up to overtime without the extra pay.
As an experiment, try keeping a work diary of every hour you spend working for a week. Make sure to log even the 15 minutes you stole right after supper. Chances are when you review your record you will have far exceeded a 40 hour work week. What is more, you will likely discover that you worked more than five days in seven.
Does the time spent in various activities reflect their importance? Are you spending more time on favorite parts of the job than on the onerous ones? What tasks regularly fall through the cracks or typically get deferred until the last possible moment? Are you being realistic as you forecast completion dates?
Design A Schedule
Once you have an idea of how you are spending your time, draft a schedule that is realistic and reflects the priorities of your profession. Because your workplace is also your home, your schedule needs to be fully integrated to strike a healthy balance for your mind, body and spirit. Everybody needs time out for rest and recreation. Be intentional about protecting your down time as much as your “billable hours.”
For many people, the main reason to work from the home is the flexibility it allows. So, to suggest clear boundaries and a comprehensive schedule may seem contradictory. However, the more you plan, the better you can adapt when unexpected circumstances arise. Because you are working from home, you potentially have twenty-four hours in every day to allocate instead of eight. This makes last minute changes much easier to accommodate.